Tuesday, March 31, 2026
Comparing Raisins to Jellybeans in the Composition Classroom
Monday, March 30, 2026
One Last Look Back at Quilt Camp and Palm Sunday
Sunday, March 29, 2026
Palm Sunday, Again
Today churches across Christendom will celebrate Palm Sunday, the day when Jesus rides triumphantly into Jerusalem. Of course, the same crowd that cheers for Jesus will just a few days later be screaming for his death. Many churches will cover the whole Holy Week story today: Palm Sunday has become Passion Sunday. Here are some thoughts swirling in my brain this particular Palm Sunday:
--Palm Sunday shows us the folly of fame. People may love you on one day and cry out for your crucifixion 5 days later.
--Spring, however, reminds us that the days of winter will not last forever.
--Does every religion have a cycle of days that reminds humans that resurrection is not only possible but promised? I think so.
--Spring also reminds me that the shrubbery/trees that don't bloom brightly one year might be shining in a future year. Spring reminds me not to give up.
--The Palm/Passion story reminds me that it's not about me, that we're characters in a larger narrative (as does the Passover story, which people across the world will be hearing this week too, in some Christian traditions, and next month, in the Jewish tradition). We will find ourselves in great danger if we start to believe it's all about us, personally.
--I find many values to being part of a religious tradition, but the constant reminder of the larger vision, the larger mission, is one of the most valuable to me. The world tells me that many things are important: fame, money, famous/rich people, a big house, a swell car, loads of stuff. My religious tradition reminds me of the moth-eaten nature of these things that the world would have me believe is important. My religious tradition reminds me of the importance of the larger vision. And happily, my religious tradition is expansive enough that my creative work can be part of that larger vision.
--Spring shows us that many types of work can contribute to the garden. That, too, is an important message for me right now.
Saturday, March 28, 2026
Sewing on the Machine at Quilt Camp
Yesterday at Quilt Camp, I got out my sewing machine, which might surprise those who know me. For much of my life, I've sewed by hand. I'm still deeply committed to sewing by hand, particularly as a self-calming practice. Stitching a seam by hand not only calms my brain but also settles my attention.
I am the only person at Quilt Camp who does most of her sewing by hand. I don't have a sewing room, so if I'm sewing, it's likely at the kitchen table which is problematic for many reasons. But honestly, for many reasons, I actually prefer to sew by hand.
So last night, after posting the below picture, I made this Facebook post: "Those of you who know me, are you more surprised to find out that I'm still awake at 10 p.m. or that I've been sewing on a sewing machine all day at Quilt Camp?"
All of the piles of blocks behind me were stitched by hand. But yesterday, I wanted one of the sewing machine experts to see if she could get the bobbin winder to work. She could not. So why did I keep sewing on the machine?
One of my Quilt Camp friends had won a batch of quilt blocks as a prize, which we both agreed was a strange prize for a quilt contest, and she was trying to figure out how to assemble them into charity quilts, her task assigned to her as she claimed her prize. I offered to help. Here we are, me showing her the long strips I decided to assemble:
I knew that getting the quilt top done during the retreat was my best hope of getting it done, so I just kept sewing and sewing. And finally, at 9:20, as Duke was winning the basketball game that some of my Quilt Camp compatriots were watching, I did. However, I forgot to take a picture of the finished quilt top.
Soon I'll head back to Quilt Camp for the last morning. I'll get my cloth organized so that I can keep sewing small scraps into log cabin squares, the sewing that I do in the evening as we watch T.V. together. It's been a good Quilt Camp, but it's time to come back down from the mountain (and I'll be rejoicing that my trip home is very short).
Friday, March 27, 2026
Quilt Camp Midway Report
Much of yesterday, I would have looked like this:
I've had one of those Quilt Camp weeks where I've had to balance the retreat and the other duties of my life. Yesterday I had planned to go to the class I'm taking, Lutheran Confessions, by way of Zoom and come to Quilt Camp in the afternoon. But my professor was having travel related disruptions, so we didn't have class. I got several additional quilting hours in the morning--hurrah!
I made progress both on my own projects and on one of our group projects:
We were asked to take one of the paper doll forms and add fabric scraps to it to represent ourselves. We've been putting them on the poster, and as we've been looking at our work, we've been praying for each other.
I loved making my self portrait in threads and fabric scraps:
I am tired, tired, tired. Ordinarily I might say that I'm tired in a good way. But last night, as my energy level crashed, I spiraled into a strange thought pattern, feeling like all of my fabric art is ugly, ugly, ugly. What was that all about?
Part of it is being surrounded by other quilting artists who are all doing very different work from the work I'm doing:
My workspace is full of scraps, and the process of putting them into larger squares usually delights me. The process still delights me, but I'm less sure how well it all works together. I put some of my more varied squares together and felt despair. I've got autumnal squares (think browns, coppers, oranges, yellows) and jewel tone squares. Last night I thought, I've really got two quilts here--which might not be a bad thing. But will I ever actually finish?
I'm also noticing a pattern in my larger life. It's easy for me to do the individual parts, but harder to finish the larger project. I thought about my writing life and all the poems I've written--but so few larger books.
On the one hand, I take delight in the process, the creativity itself, the commitment to doing creative stuff every day. On the other hand, I wonder how it might all be different if I focused on seeing a project through to the end.
Do I let myself off the hook too easily? Should I be more rigorous? If I decide I should be more rigorous, is it too late?
Let me remind myself of this article I read in The New York Times, an article that talks about Matisse in his later years, his last years, and an exhibition of his work from this time: "The show includes more than 300 works on loan from around the world (with some exhibited for the first time) that demonstrate how wide the French master’s oeuvre stretched beyond his best-known paintings — to innovative drawings, gouache cutouts, illustrated books, textiles and stained-glass windows. It also challenges the conventional understanding of any artist’s 'late' years as an inevitable tapering off. Here, we see a blossoming, a relentless drive to experiment in new mediums and a radical simplicity that only a lifetime of making could achieve."
Wednesday, March 25, 2026
Annunciation and Other Callings
Today is the feast day of the Annunciation, the religious holiday that celebrates the day that the angel Gabriel appears to Mary and hails her as the chosen one. She says yes to God's offer to be the mother of the Messiah.
You may be saying, "Wait, this isn't your theology blog." Very true--for a more traditional approach to this feast day, head on over to my theology blog to read this post.
Today, even though it's the first day of Quilt Camp, I'll head down the mountain to do a day of teaching. It makes sense in one way, but it's leaving me exhausted in other ways.
I've done this to myself. I knew that my March and April would be very crowded. All those self-help gurus talk about saying no to invitations, but I find it hard to say no to things I want to do. My March and April are crowded with things that bring me joy and delight.
Last night I spread out fabrics, but just felt a bit overwhelmed. I tried to remember that I always feel this way on the first night of Quilt Camp.
Let me record a few other things, while I'm trying to gather my scattered fragments of attention:
--Now that I've told my Candidacy Committee contacts at the Florida-Bahamas Synod, I can talk about it here: one week ago, I was offered a tenure track position at Spartanburg Methodist College, and I accepted. I am still floating on air. I am happy beyond belief at this promotion.
--This morning, I have a Zoom session with those contacts. I continue to hope that I can find a way to be bi-vocational. This particular tenure track job could make it easier to do just that. The Church needs more people who can work part-time.
--I keep wanting to create a poem out of these strands: Annunciation, teaching job promotion, Quilt Camp. O.K., subconscious brain, get weaving!
Tuesday, March 24, 2026
Energy of All Sorts
In the hours before my mammogram,
I try to remember the rules
for this particular scan.
Can I eat breakfast?
Sunday, March 22, 2026
Wedding Season Begins
It was a beautiful wedding. I took no pictures because I wanted to travel light, the way I did when I was a girl with just a credit card and a lipstick in my pocket. I left the credit card behind, but I did take the hotel room key and my driver's license, even though we were riding on chartered vans and wouldn't have to drive. Before September 11, 2001, I went a lot of places without my license, which I left in the car so I wouldn't be without it when I drove. But that event was the beginning of the surveillance state in which we find ourselves now.
But that's not a happy turn of paragraph. That paragraph doesn't do much to support the topic sentence. I have no pictures to prove the topic sentence, and I don't want to spend too much time on describing in words. The bride and groom were beautiful, but I don't think I've ever seen a non-beautiful bride and groom. They pledged their love and support, slipped rings on each other's fingers, and then we celebrated the rest of the evening.
I am intrigued by urban and non-traditional spaces that transform themselves into celebration venues. My sister's wedding reception was at The Torpedo Factory in Alexandria, which was once a torpedo factory but is now artist spaces and celebration areas. Last night's event was at an old train depot, right under an interstate highway. It worked.
The food was sumptuous, the drinks free flowing, the music loud. I couldn't do this every night, but I was glad to be there last night.
Most years, wedding seasons come and go, and no one I know gets married. This year, we have two family weddings, just like we did a few decades ago, when my cousin got married in early Spring and my sister in late Spring. Then, as now, there was a war in the Middle East. Then, as now, we celebrated love despite a world that seems intent on coming apart faster than we can patch it back together again.
Then, as now, I think that love is the only way we patch this world back together again.
Saturday, March 21, 2026
Atlanta and Me
Thursday, March 19, 2026
When the Next Generation Gets Married
Wednesday, March 18, 2026
My Offline Journal and All the Other Types of Writing Taking the Place of Poetry Writing
I'm a bit more tired than is normal for me in the morning. I do feel like I've been pushing myself harder than is normal: I wanted to get the pastor work for the coming week-end done by last Sunday, which I did, but that meant I was behind with the short paper that is due tomorrow. So yesterday, I finished that draft, then went and taught, and then came home, doing some grocery shopping along the way.
So, in the past week, in addition to the blog posts that I've written, I've written 2 sermons, 2 shorter meditations for Wednesday night worship, and a short paper (850 words) for my Lutheran Confessions class. So, in January when I look back and wonder why my poem writing trailed off in mid-March, that's why.
This morning, before writing in my offline journal, I spent some time reading old entries from the past year. That can leave me tired, since I usually write in my offline journal about non-bloggable stuff, usually heavy stuff, and reading those types of entries can leave me sad and slightly hollowed out.
So why do I do it? I'm usually looking for information, of the when did that meeting happen or when did I apply for this job kind of information. That's what took me to my journal this morning, at least. Often I'm looking through my offline journal for sadder information, like medical details or when someone died.
Today is a heavier teaching day than I had planned, in part because of Monday's tech glitches. Happily, it was a fairly easy pivot. Based on yesterday's Poe/horror discussions, I'm looking forward to seeing how my afternoon classes react. It should be a good teaching day.
But if my weariness persists, perhaps I'll treat myself to a delicious coffee indulgence mid-morning.
Tuesday, March 17, 2026
Mid-March: Tornadoes and Snow and the Wearing of the Green
Saturday, March 14, 2026
Early Morning Music and the Writing Tasks of the Day
Once again, my writing time is fragmented by all the writing I'm hoping to get done this week-end: tomorrow's sermon and a meditation for Wednesday night, next week's sermon and a meditation for the last Wednesday in March, and my short paper for Lutheran Confessions class which is due on Thursday. I can get it all done, but it doesn't leave much time for other writing, like poetry writing or blogging in depth.
Yesterday I also worked some doctor's appointments into my schedule: our annual eye exams and my 3 month dermatologist exam. After my melanoma, I'll be going to the dermatologist every three months for the next few years. Yesterday I had some spots zapped, along with three spots sent in for a biopsy. Now that I've had the weird melanoma that didn't look like a melanoma, we're both a bit spooked and erring on the side of more information.
By the end of yesterday, I was a bit overwhelmed, so I unplugged for a bit. This morning I woke up with "Ophelia" by The Band in my head. I heard it while I was waiting for my skin exam. My dermatologist has a great playlist, and she told me that she had it done for her exclusively. There aren't ads, and it's a great mix of music across all genres.
This morning I did a bit of a deep dive into some music by way of YouTube, which has an algorithm for me that I don't resent. I wanted to see if I was remembering correctly that it was The Band that did "Ophelia," and then I wanted to hear a few more songs that I remember from that Greatest Hits album. And then there were others, including a dance-in-my-seat session to "Hold On! I'm Coming."
It was a great way to start the day. I should probably do it more often.
Friday, March 13, 2026
Home Again after Weather Bogged Down Travels
Thursday, March 12, 2026
Mountain Bound after a Good Visit in Williamsburg
Wednesday, March 11, 2026
What Time Is It? What Season Is It?
I'm one of those people who wish that we wouldn't turn clocks forward or back, even though I know that if we did that, we'd lose something in terms of darkness and light. If we had fewer sunsets that came later or fewer sunrises that came earlier, but I don't think I would care. For me, it doesn't matter if we spring forward or fall back, it takes me weeks to get back to a regular sleep schedule, as regular as my sleep schedule is.
This week, in addition to a time change, we've had a drastic change in the weather--it's been downright hot. So my sweaty self thinks it's summer, while my light sensitive eyes read spring in the shift in light, while my body is still back in winter in its desire to go to bed early.
I had thought of this time away as having writing residency possibilities, at least in the morning, since I get up hours before my parents. But instead, I'm tired. I pulled up some poem rough drafts that I thought I could finish transforming into final drafts, but no, not this morning. I need to write Sunday's sermon, and if I was really efficient, I'd also write the one for the following Sunday, when we'll be away at a family wedding.
I want to write something more profound as a blog post. But it won't be this morning.
Happily, Rabbi Rachel Barenblat has written something more profound. In this blog post, she writes eloquently about why she won't be using AI when she crafts sermons and other religious writing--or any writing: "My divrei Torah and sermons are love letters, of a kind: they’re love letters to Torah, to God, to my tradition, to the communities I serve. They’re not just communicating information, they’re conveying heart. This may make me old-fashioned. (The fact that I’m still writing longform blog posts on my own blog may also be a sign that I”m old-fashioned!) But it is still my goal to communicate with others without AI mediation. It matters to me that what I share (here and on the bima) are always the words of my own mouth and the meditations of my own heart."
Today my mouth and heart are tired. Here's hoping for a better day tomorrow.
Tuesday, March 10, 2026
Of Cars and Headlights and Petrochemicals and Politics
Monday, March 9, 2026
Spring Break Travels
Sunday, March 8, 2026
A Poem for International Women's Day
Today is International Women's Day. I realize that I am luckier than many women throughout the world. I have part-time work that I can do in the wee, small hours of the morning--or any time and place that I can get an Internet connection. I have a full-time job that pays me a decent salary with decent benefits. I am safe at both jobs, and my employers deposit my pay without incident. I also have a part-time preaching job that feeds my soul in a different way.
I have a lovely house in a relatively safe neighborhood. I have food in my kitchen and a way to keep it safe until I'm ready to cook it.I have a bit of time here and there to do the activities that nourish me: reading and a variety of creative work. I have time to see friends. My family members are in good shape.
We are bombarded, day after day, with stories of women who have not been so lucky, reminding us that we still have work to do.
I'm thinking of the multitude of poems that I've written about gender and history and all of those intersections. Here's a poem that I wrote years ago that says a lot about the life of a certain class of women in modern, capitalistic countries. It's part of my chapbook, Life in the Holocene Extinction.
The Hollow Women
We are the hollow women,
the ones with carved muscles,
the ones run ragged by calendars
and other apps that promised
us mastery of that cruel slavedriver, time.
We are the hollow women
with faces carved like pumpkins,
shapes that ultimately frighten.
We are the hollow women
who paint our faces the colors
of the desert and march
ourselves to work while dreaming
of mad dashes to freedom.
At night, the ancient ones speak
to us in soft, bodily gurgles
and strange dreams from a different homeland.
We surface from senseless landscapes
to wear our slave clothes
and artificial faces, masks
of every sort. We trudge
to our hollow offices to do our work,
that modern drudgery,
filing papers and shredding documents,
the feminine mystique, the modern housework,
while at home, domestics
from a different culture care
for the children.
Friday, March 6, 2026
Spring Weather and Spring Break and Villanelles
Thursday, March 5, 2026
Generational Milestones
Wednesday, March 4, 2026
Poetry and Current Events
Here we are, day five of the Iran war--or is it year 46, if we date it to the 1979 take-over of the embassy? Or earlier, given our interactions in that country during the years of the Shaw.
Yesterday on my way home, I noticed that gas was at $2.99 a gallon, up from $2.49 a gallon in the morning when I left. On some level, I shouldn't have been surprised. Long ago, when the Kuwait interaction went from Desert Shield to Desert Storm, I went right to the gas station, but it was much longer before gas prices rose. That's my memory, although I wasn't commuting at the time, so I might not have been as focused on gas prices. I was a poor grad student, so I might have noticed.
Back then, my brain was focused on the war. I wrote poems about people in war zones, a poem that contrasted me washing dishes in solitude to someone trying to keep body and soul together in a bomb shelter. They weren't good poems, but I mention it because decades later, I'm able to move throughout the day without my brain returning to the drum beat of war.
That's not to say that I've ignored the issue, just that I've gotten more skilled at compartmentalizing it all.
Part of me also assumes that people in charge have information that I don't. This Washington Post article by Jim Geraghty argues that most presidents become war hawks as they see top secret briefings during their tenure, and that makes sense to me. This New York Times article by Brett Stephens makes a case for military action against Iran.
This is not to say that I'm just fine with these military actions. I'm always wary, because I've had a lifetime of hearing leaders tell us that we can do a limited intervention, and these things almost always spiral out of control and have all sorts of unintended consequences. I can read, and I know that throughout history, military actions almost always spiral out of control and have all sorts of unintended consequences.
I've been thinking about my undergraduate days, when my favorite Literature professor told us that poems that engaged specific current events were never any good. I argued fiercely with her; I thought that poetry needed to be involved in the real world. I still believe that, although right now, I'm not producing any poems, of any quality, that are about this war. Similarly, I haven't written poems about Gaza or Ukraine (maybe obliquely?) or any other hot spot.
Some part of me thinks that 500 years from now, if humans survive, people will look at us and marvel that we started these wars and refused to focus on the climate disasters bearing down on us--and I have written about that historic event from a variety of angles.
But like so many humans through history, I continue moving through my day, feeling powerless, even if I knew what I thought should happen, and I don't. I continue moving through my days, feeling fortunate to be far away from the theatre of war and feeling guilty about my good fortune. I move throughout my days, documenting regular people approaches to current events, even if I'm not writing poems about those current events.
Tuesday, March 3, 2026
Eclipses and Other Portents
Monday, March 2, 2026
No AWP For Me
Sunday, March 1, 2026
Being Born Again: Sermon Revisions in the Midst of News Reports
In later years, I may wonder why I'm not writing more about the events of yesterday: bombs on Iran and Ayatollah Khamenei dead. Maybe later readers will wonder why I didn't analyze Trump's decision to go ahead without consulting Congress or maybe they will have knowledge I don't. I will say that U.S. presidents have been moving forward with war plans, asking for forgiveness rather than permission, for my whole life regardless of political persuasions.
I didn't pay close attention to the news yesterday. I was working on both taxes and my sermon. I didn't even hear about the death of Khamenei until evening. At the end of the day, I wrote this Facebook post: "Doing some sermon revisions, thinking about Nicodemus who comes to Jesus, two men who likely see the world very differently but take the time to talk. I'm thinking about how Nicodemus is perplexed in the third chapter of John (tomorrow's reading) but by the end of the Gospel of John, he's buying an astonishing amount of burial spices for Jesus, a public declaration of Jesus' importance. I'm thinking and revising and flipping to news reports and my sermon seems even more relevant, about the necessity of talking and understanding and being born again for new possibilities in this life."
In a week of good time management, I have my sermon written before Saturday, and my spouse offers suggestions. This week, I got my sermon draft done by Thursday, and I was proud of that. Yesterday, as we were going over his notes, I realized that I had printed out not the sermon for today, but one for two years ago.
In a way, I was relieved. The fact that the sermon was so unfamiliar just two days after I had written it had me worried before I checked the date on the sermon. In a way, no harm done. I made the discovery while my spouse still had time to read the correct sermon yesterday, and I had time to make the sermon stronger. My spouse wasn't upset that he read two sermons this week.
And yet, it reminds me that although I may think I have all the parts of my life moving smoothly, there are some indications that it may be more tenuous than I want to think. I thought of this again in the afternoon, as the phone rang, and I realized that the afternoon was later than I thought, and I hadn't called my parents, as we had arranged on Friday. Again, no harm done, except . . . I thought of this idea again as afternoon faded into dusk, as we looked in the recycling bin for the draft of the correct sermon with my spouse's notes on it.
It was a productive day, despite the mishaps. I got the first draft of our taxes done, and now we have decisions to make about how to pay them. Happily, we have the resources. I got the finished draft of my sermon done. Now let me get ready to preach and preside at Faith Lutheran in Bristol, Tennessee--worship starts at 10 a.m., and all are welcome.









