Some of my more interesting teaching ideas come when I get towards the end of what I have planned, and there's still a lot of class time left. Some days, I just finish. Some days I come up with something else because I've already let the class go early in the last week or two, and I don't want students to start to expect it.
Yesterday I went to my Creative Writing class with worksheets, along with two sonnets: a traditional love sonnet by Constable and "My Mistress' Eyes Are Nothing Like the Sun" by Shakespeare. In a 102 class several semesters ago, I created a Love Imagery Generator Worksheet:
My love is like _____________________________________________________.
My beloved’s eyes are like ____________________________________________.
My beloved’s skin is like ______________________________________________.
My beloved’s personality is like ____________________________________________.
My beloved’s hair is like _________________________________________________.
I love my beloved the same way I love _____________________________________.
My beloved’s cooking is like ___________________________________________.
My beloved’s hands are like __________________________________________.
My beloved’s voice is like ______________________________________________.
I then took out parts to make a new worksheet, and we tried making a love poem to a non-human, like a car or a phone or a pet: My beloved's _________ is like ________.
By design, I had extra worksheets which I cut into strips. I gave everyone 6 strips and had them fill in the blanks. They could use the worksheets they'd already filled in or create something new.
I had planned to have them paste strips to pink paper on tables around the edge of the room, but I realized we'd end class 30-40 minutes early if I went with my original plan--not good. So I pasted three strips per paper, strips I took from each student, with space in between. I divided them into 2 groups of 4, with 2 pink sheets per table. They worked in groups, or pairs, to put additional strips on the paper, which took 15-20 minutes longer than each student pasting strips would have taken. On the 5th sheet of paper, I put more strips in a random way--students were working more than I anticipated to have the poems make sense and/or flow.
Before I read them, I asked what they expected. Then I read them. They were a mix of things: intriguing imagery, cliches, weirdness that did and did not work. It might have been interesting to have them take each poem and try to go deeper. I thought that the completely random poem was no better or worse than the poems they took more care creating, but I didn't tell them that.
I had them take pictures of the poems, just in case they wanted them later. They will be taking one of the poetry projects we've done and revise, plus a short process piece: a love poem, a photo with haiku, and either a villanelle or a triolet are the options.
I'm so pleased with how this class session went--my students were engaged, even though I could tell that some of them were mildly frustrated at times or perhaps baffled is more accurate--or both. They worked together, even though they weren't sure what they were doing. We all seemed to leave in a good mood, astonished at what we had created--or maybe it was just me who was astonished.


