Friday, March 13, 2026
Home Again after Weather Bogged Down Travels
Thursday, March 12, 2026
Mountain Bound after a Good Visit in Williamsburg
Wednesday, March 11, 2026
What Time Is It? What Season Is It?
I'm one of those people who wish that we wouldn't turn clocks forward or back, even though I know that if we did that, we'd lose something in terms of darkness and light. If we had fewer sunsets that came later or fewer sunrises that came earlier, but I don't think I would care. For me, it doesn't matter if we spring forward or fall back, it takes me weeks to get back to a regular sleep schedule, as regular as my sleep schedule is.
This week, in addition to a time change, we've had a drastic change in the weather--it's been downright hot. So my sweaty self thinks it's summer, while my light sensitive eyes read spring in the shift in light, while my body is still back in winter in its desire to go to bed early.
I had thought of this time away as having writing residency possibilities, at least in the morning, since I get up hours before my parents. But instead, I'm tired. I pulled up some poem rough drafts that I thought I could finish transforming into final drafts, but no, not this morning. I need to write Sunday's sermon, and if I was really efficient, I'd also write the one for the following Sunday, when we'll be away at a family wedding.
I want to write something more profound as a blog post. But it won't be this morning.
Happily, Rabbi Rachel Barenblat has written something more profound. In this blog post, she writes eloquently about why she won't be using AI when she crafts sermons and other religious writing--or any writing: "My divrei Torah and sermons are love letters, of a kind: they’re love letters to Torah, to God, to my tradition, to the communities I serve. They’re not just communicating information, they’re conveying heart. This may make me old-fashioned. (The fact that I’m still writing longform blog posts on my own blog may also be a sign that I”m old-fashioned!) But it is still my goal to communicate with others without AI mediation. It matters to me that what I share (here and on the bima) are always the words of my own mouth and the meditations of my own heart."
Today my mouth and heart are tired. Here's hoping for a better day tomorrow.
Tuesday, March 10, 2026
Of Cars and Headlights and Petrochemicals and Politics
Monday, March 9, 2026
Spring Break Travels
Sunday, March 8, 2026
A Poem for International Women's Day
Today is International Women's Day. I realize that I am luckier than many women throughout the world. I have part-time work that I can do in the wee, small hours of the morning--or any time and place that I can get an Internet connection. I have a full-time job that pays me a decent salary with decent benefits. I am safe at both jobs, and my employers deposit my pay without incident. I also have a part-time preaching job that feeds my soul in a different way.
I have a lovely house in a relatively safe neighborhood. I have food in my kitchen and a way to keep it safe until I'm ready to cook it.I have a bit of time here and there to do the activities that nourish me: reading and a variety of creative work. I have time to see friends. My family members are in good shape.
We are bombarded, day after day, with stories of women who have not been so lucky, reminding us that we still have work to do.
I'm thinking of the multitude of poems that I've written about gender and history and all of those intersections. Here's a poem that I wrote years ago that says a lot about the life of a certain class of women in modern, capitalistic countries. It's part of my chapbook, Life in the Holocene Extinction.
The Hollow Women
We are the hollow women,
the ones with carved muscles,
the ones run ragged by calendars
and other apps that promised
us mastery of that cruel slavedriver, time.
We are the hollow women
with faces carved like pumpkins,
shapes that ultimately frighten.
We are the hollow women
who paint our faces the colors
of the desert and march
ourselves to work while dreaming
of mad dashes to freedom.
At night, the ancient ones speak
to us in soft, bodily gurgles
and strange dreams from a different homeland.
We surface from senseless landscapes
to wear our slave clothes
and artificial faces, masks
of every sort. We trudge
to our hollow offices to do our work,
that modern drudgery,
filing papers and shredding documents,
the feminine mystique, the modern housework,
while at home, domestics
from a different culture care
for the children.

