In the past few weeks, we've occasionally watched reruns of M*A*S*H; we've watched about 8 episodes. I have been struck by the religious themes in the show that I didn't notice when I first watched those re-runs and originals years ago in the early 80's.
I watch the shows in a haphazard fashion, so it's hard for me to support this theory: Father Mulcahy becomes a more major character as the show progresses, and therefore, more of the shows have a spiritual undercurrent. The first few seasons of the show had a much more coarse tone, with much more unlikable characters. I much prefer the later episodes.
This week, we watched the episode where the unit finds an abandoned baby and has to decide what to do. They wrestle with several unattractive choices. Father Mulcahy has a connection with a local monastery, and in the end, that choice seems best for the baby. I liked the nod to ecumenism, and I know that in other episodes, Father Mulcahy works on a variety of projects with the local religious communities in Korea.
My favorite episode of the last few weeks was the Christmas episode that ends with the whole cast singing "Dona Nobis Pacem"; you can watch it here. Father Mulcahy talks about singing it every night before sleep--it's a great practice. I wish I could remember to sing/hum it every time I feel anxious.
I love that the show deals with the doubts that even the most religious people can have. I love that it doesn't see these doubts as something that needs to be wrapped up in the 22 minute story arc of an episode. It's a very realistic depiction of life, both the life of faith and the life of doubt.
I also like the depiction of the community that the medical unit has developed. There's an acceptance of the priest that is part a feature of the forced nature of the community, part a feature of the time period of the Korean war, and partly because of the characters themselves. Father Mulcahy is likable, after all. He could have been a very different kind of priest.
I like that the community supports him, even as they aren't going to make lifestyle changes to make him happy. I like that the priest doesn't reject the members of the community who behave in ways that might offend him. I like that the priest offers a prayerful presence.
As I watch these shows, I'm struck again and again by how masterful they are: great storytelling, marvelous character development, wonderful dialogue, skilled acting, and amazing TV. I remember watching the movie years after I fell in love with the later episodes of the TV show, and I was so disappointed. The TV show is much better.
As I watch the reruns and then switch to TV being created now, the twenty-first century shows (the ones created for network channels) seem much flatter. The characters could use more of everything, and one of the things I most crave is more of a depiction of inner life. I'm not demanding that the shows explore the spiritual lives of characters. Surely these TV characters must have some yearnings. I'm struck by how seldom we see characters with a thirst for social justice or a craving for a creative life or a spark of seeing the Divine in some aspect of modern life.
Sigh.
Happily, we're in a time period where all sorts of filmed narrative is available to us. But often, I want the older material that's stood the test of time. Happily, M*A*S*H is still widely available.
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1 comment:
Your piece reminded of another series, China Beach. It's very different in mood and approach, (and a different war) but doesn't avoid the moral thickets of combat. And though it shows the damage (physical, psychological, and spiritual) in sometimes unrelenting detail, it has a heartfelt grounding in the basic understanding of being human in an impossible situation. It's not without humor ("Be quiet--I can't hear the war."), but the humor never breaks the fall the way it does sometimes on MASH.
I'd completely forgotten about this scene, until I found it on YouTube, and then I remembered tearing up when it was broadcast. McMurphy is on leave, back in the states, hanging out with other veterans. One of them, in a wheelchair, asks her to dance. At the time, it seemed like the most amazing television I'd seen.
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