"Inferno" as Inspiration and Scaffolding

I've been enjoying the lyricism, the imagery of Mary Jo Bang's translation of Dante's Inferno.  I was particularly struck by these lines:

“Why?  Why hang back?  Why keep a coward

In the cupboard of your heart?  Why not be bold and dare"

                                                   (Canto II, lines 121-122)

 

 

This morning, I wanted to write a poem, but I didn't have much time, and I felt even more empty when I tried to come up with ideas for a poem.  So I flipped through the Bang text and pulled out 6 lines, leaving space between those lines. 

 

Then I went back and created stanzas to go with the lines.  When I started, I thought it might be a warm up exercise, something that would lead me to a different poem altogether.  Or I thought I might be modernist by removing the scaffolding of the Dante lines when I was done.  Or I thought I might have 6 small poems.

 

In the end, I wrote a single poem of six stanzas, with the Dante lines integral to the poem--so I won't be removing them.

 

It was a fruitful way to compose a poem.  I've had similar success with T. S. Eliot and Coleridge--I should do this more often!

 

In case you'd like to play along too, but don't have a copy of Dante's Inferno handy, here are the lines that I pulled out:

 

--Between the pit and the high hard enscarpment

 

 

--Just like when a fog lifts gradually

 

 

--Lethe you'll see later, after we leave this abyss

 

 

--The good never board the boat

 

 

--We walked like Franciscan monks

 

 

--But I have a free arm when I need it