Love Poem in Strips

Some of my more interesting teaching ideas come when I get towards the end of what I have planned, and there's still a lot of class time left.  Some days, I just finish.  Some days I come up with something else because I've already let the class go early in the last week or two, and I don't want students to start to expect it.

Yesterday I went to my Creative Writing class with worksheets, along with two sonnets:  a traditional love sonnet by Constable and "My Mistress' Eyes Are Nothing Like the Sun" by Shakespeare.  In a 102 class several semesters ago, I created a Love Imagery Generator Worksheet:

Love Poem Imagery Generator


My love is like _____________________________________________________.

My beloved’s eyes are like ____________________________________________.

My beloved’s skin is like ______________________________________________.

My beloved’s personality is like ____________________________________________.

My beloved’s hair is like _________________________________________________.

I love my beloved the same way I love _____________________________________.

My beloved’s cooking is like ___________________________________________.

My beloved’s hands are like __________________________________________.

My beloved’s voice is like ______________________________________________.


We filled in the sheets; I encouraged them to feel free to make up a fictional beloved.  In fact, I advised it might work better as a fictional experiment.

I had taken out parts to make a new worksheet, and we tried making a love poem to a non-human, like a car or a phone or a pet:  My beloved's _________ is like ________.

By design, I had extra worksheets which I cut into strips.  I gave everyone 6 strips and had them fill in the blanks.  They could use the worksheets they'd already filled in or create something new.

I had planned to have them paste strips to pink paper on tables around the edge of the room, but I realized we'd end class 30-40 minutes early if I went with my original plan--not good.  So I pasted three strips per paper, strips I took from each student, with space in between.  I divided them into 2 groups of 4, with 2 pink sheets per table.  They worked in groups, or pairs, to put additional strips on the paper, which took 15-20 minutes longer than each student pasting strips would have taken.  On the 5th sheet of paper, I put more strips in a random way--students were working more than I anticipated to have the poems make sense and/or flow.

Before I read them, I asked what they expected.  Then I read them.  They were a mix of things:  intriguing imagery, cliches, weirdness that did and did not work.  It might have been interesting to have them take each poem and try to go deeper.  I thought that the completely random poem was no better or worse than the poems they took more care creating, but I didn't tell them that.

I had them take pictures of the poems, just in case they wanted them later.  They will be taking one of the poetry projects we've done and revise, plus a short process piece:  a love poem, a photo with haiku, and either a villanelle or a triolet are the options.

I'm so pleased with how this class session went--my students were engaged, even though I could tell that some of them were mildly frustrated at times or perhaps baffled is more accurate--or both.  They worked together, even though they weren't sure what they were doing.  We all seemed to leave in a good mood, astonished at what we had created--or maybe it was just me who was astonished.