Bastille Day Bastions

If you're not ready to stop celebrating the human drive for freedom from tyranny, you're in luck!  Today we have another chance to celebrate the human thirst for liberty and to ponder who gets to enjoy equality and who does not. It's Bastille Day, the French equivalent (sort of ) of our Independence Day. I see this historical event as one of many that launched us on the road to equality. It's an uneven success to be sure. More of us in the first world enjoy more liberty than those in developing nations. But that thirst for freedom and equality found some expression in the French Revolution, and I could argue that much liberation theology has some rootedness in that soil (yes, it would be a problematic argument, I know).

I am afraid that today we may have reason to reflect on the nature of government.  We're told that ICE agents are planning raids today in 10 cities to find people with deportation orders.  We might argue that people with deportation orders must be forced to leave.  We also know that these raids find many people who are awaiting due process, and they often get deported too.

So it's a good day to think about the storming of the Bastille, about what happens when the powerful abuse the powerless for years and centuries and the powerless finally decide they've had enough.

Bastille Day is the French Fourth of July, and you could make a strong case that both revolutions should be celebrated in tandem. The French began their revolution in the decade after the American colonies broke away, and for the next century, maybe 2, abusive leaders worried about the example set by these revolutions.

I remember very few dates without having to look them up to be sure, but I do know that the storming of the Bastille happened in 1789--and by reversing those last 2 numbers, I can remember that Wordsworth and Coleridge published Lyrical Ballads in 1798. I can make the case that both events forever shaped the future.

Today is also the birthday of Woodie Guthrie, an artist who always had compassion for the oppressed.  I find Guthrie fascinating as an artist. Here's a singer-songwriter who doesn't know music theory, who left behind a treasure trove of lyrics but no music written on musical staffs or chords--because he didn't know how to do it. For many of the songs that he wrote, he simply used melodies that already existed.

I think of Woody Guthrie as one of those artists who only needed 3 chords and the truth--but in fact, he said that anyone who used more than two chords is showing off. In my later years, I've wondered if he developed this mantra because he couldn't handle more than 2 chords.

I love this vision I have of Guthrie as an artist who didn't let his lack of knowledge hold him back. I love how he turned the deficits that might have held a lesser artist back into strengths. I love that he's created a whole body of work, but his most famous song ("This Land Is Your Land") is still sung by schoolchildren everywhere, and how subversive is that?  The lyrics are much more inclusive than you might remember, and there's a verse that we didn't sing as children, a verse that talks about how no one owns the land.

If I could create a body of poems that bring comfort and hope to activists, as well as one or two poems that everyone learns as schoolchildren, well I'd be happy with that artistic life. If I could inspire future generations the way that Guthrie did, how marvelous that would be. I could make the argument that artists like Bob Dylan, Bruce Springsteen and the members of U2 would be different artists today, had there been no Woody Guthrie (better artists? worse? that's a subject for a different post).

So, Alons, enfants de la patria!  There's work to do and people who need us to do it.